Tempo relationships between duple and triple time in the sixteenth century
Identifieur interne : 000402 ( Main/Exploration ); précédent : 000401; suivant : 000403Tempo relationships between duple and triple time in the sixteenth century
Auteurs : Ruth I. DefordSource :
- Early Music History [ 0261-1279 ] ; 1995-10.
Abstract
One of the most challenging problems in the performance of sixteenth-century music is the interpretation of tempo relationships between passages of duple and triple time. After c. 1520 binary signatures became standard for most pieces, and ternary passages within them were notated as sesquialtera or triple proportions. The signs of these proportions ostensibly specify precise tempo relationships between the binary and ternary passages, but in practice they could be interpreted in a variety of ways depending on time, place and musical context, as well as on the notation itself.
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DOI: 10.1017/S0261127900001431
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